Following a stint in Europe for World War II, Salinger returned to New York and began work on his signature novel, 1951's "The Catcher in the Rye," an immediate bestseller for its iconoclastic hero and forthright use of profanity. Soon after, the New Yorker picked up the heralded "A Perfect Day for Bananafish," and more pieces followed, including "Slight Rebellion off Madison" in 1941, an early Holden Caulfield story. Salinger's style creates an effect of conversation, it is as though Holden is speaking to you personally, as though you too have seen through the pretences of the American Dream and are growing up unable to see the point of living in, or contributing to, the society around you.īorn in New York in 1919, Jerome David Salinger dropped out of several schools before enrolling in a writing class at Columbia University, publishing his first piece ("The Young Folks") in Story magazine.
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Throughout, Holden dissects the 'phony' aspects of society, and the 'phonies' themselves- the headmaster whose affability depends on the wealth of the parents, his roommate who scores with girls using sickly-sweet affection.Lazy in style, full of slang and swear words, it's a novel whose interest and appeal comes from its observations rather than its plot intrigues (in conventional terms, there is hardly any plot at all). The story is told by Holden Caulfield, a seventeen- year-old dropout who has just been kicked out of his fourth school. The Catcher in the Rye is the ultimate novel for disaffected youth, but it's relevant to all ages. Salinger's style creates an effect of conversation, it is as though Holden is speaking to you personally, as though you too have seen through the pretences of the American Dream and are growing up unable to see the point of living in, or contributing to, the society around you.